The main aim of the paper is to propose a new way of studying literary translation, inspired by Hélène Buzelin’s claim to look at the translation process as a manufacturing activity, always involving several subjects. First, the concept of translator studies – one of the most recent subfields of translation studies – is briefly presented together with its major assumptions. Then, the traditional sender-transmitter-receiver translation scheme is developed to include more agents. The resulting list is to give a brief overview of how complex the situation of literary translator is, whose responsibility for the shape of a literary product requires dealing with several counteracting objectives